Tack ALLA för bidrag i tråden!
Som Almen referar till Bowie Songs aka Pushing Ahead of the Dame är ett ganska fantastisk ymnighetshorn om Bowie.
Jag rekommenderar verkligen den, ypperlig.
Här kommer lite mer trivia om Fripp i samband med inspelningen av albumet "Heroes".
While most guitarists that took on “Heroes” had to use an Ebow to get Fripp’s sound, playing a sustained run of A notes, Fripp had worked out the feedback patterns on foot, literally. Standing in Hansa’s Studio 2, his guitar routed through Eno’s EMS synthesizer, Fripp marked with tape the places on the studio floor where he could get a feedback loop on any given note. So four feet away from his amp was an A, three feet away was a G, and so on. Fripp stepped and swayed through the song, his sound owed to a simple cartography.
Fripp ran through three takes, and the trebly nature of his playing (further distorted live by Eno’s EMS) meant that each solo on its own sounded thin and wavering. So Tony Visconti blended all three together, eventually bouncing them down to a single track, to achieve what Visconti called “a dreamy, floaty effect.”
Jag är just nu pressad på tid och hinner helt enkelt inte med allt, dock vill jag stämma in i Phloams inlägg.
-Skriv från hjärtat precis om vad som helst som ni känner för!
Just låten Heroes har en bakgrund i Bowies wurm för Velvets " Waiting for the man"
Så det får bli den som avslut på mitt inlägg.
http://www.youtube.com/watch?v=SJIjrj07wyI
I CAN´T THINK.... ..... OF ANYTHING BOW LP2