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"One thing you'll enjoy about these speakers is they don't have the normal 2 to 3db dip in frequency response at the crossover point. This is usually around 2000 to 2500Hz on most near field monitors. This lack of frequency dip is probably the biggest reason why these speakers are loved by so many. As with any monitor, you need to check your mix on several other systems before making your final decisions. Use a car stereo, boom box, headphones, and maybe a good stereo system with a sub woofer. When your mix sounds great on all these systems, including the NS10s, you've got it nailed. Once you learn how the NS10s sound, you'll realize that for the most part, they are a joy to mix on. Isn't that what we all want in a near field monitor?
NS10 Mixing Tip
When mixing with the NS10s, there's a way to make sure your mix will sound good on other systems. Mix at a low level. Use
a level that's similar to background music at a dinner party. When you monitor with the NS10s in this manner, and you hear a good balance of frequencies, you've got it. Monitoring at loud levels is where the NS10s trick us into lowering the mids and raising the lows. This results in mixes that may sound great on the NS10s, but muffled or bass heavy (dull) on other systems. Now conventional wisdom says that monitoring in this way is in conflict with the Fletcher Munson Curve. However, because of the design of the NS10's, it does seem to work Also, the amp has a lot to do with the sound you get from these monitors. In a test using a 60 watt per channel Yamaha amp, the high end was brittle and the low end not impressive. However, when using a 250 watt per channel Acurus amp, the highs were pleasing, and the low end, while not over bearing, sounded tight and punchy."
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